【考古混響】江凱群 & 陳絲穎雙個展・高雄市立美術館 KSPACE
【 ARCHEOLOGICAL RESONANCE 】 Kai-Chun Chiang & Jazz Szu-Ying Chen Joint Exhibition ・Kaohsiung Museum of Fine Arts KSPACE

9/8/2024 ~ 10/27/2024

關於「考古混響」

考古揭開過去的歷史，「文化層」記錄人類活動的軌跡。時間遺留下的碎片，拼湊出一個有限的過去；而當代藝術家拾起這些殘件，以藝術構築出一層嶄新的時空。因此，這些考古遺跡不再僅是一記過往，而是橫跨古今的想像見證。

本次《考古混響》由藝術家江凱群與陳絲穎展出各自對於臺灣史前文明的遐想。透過對臺灣新石器時代的研究，採集「國立臺灣史前文化博物館」出土的遺物，如玉器、飾品、貝塚、骨骸等作為創作的靈感。融合自身的生命經驗與美學意識，兩位藝術家將當代藝術與史前遺物交疊，突破歷史的界限，開啟「當代文化層」的感知維度。

江凱群以「臺灣閃玉」為主題的石材馬賽克，譜出一節精彩的古今篇章；陳絲穎則以神秘而寂靜的繪畫作品，創造出富饒的異想世界。兩位藝術家截然不同的藝術語彙，在此刻帶著我們穿越時間的屏障與遠古文明共鳴共響。

展出作品特寫請點這

About “ARCHEOLOGICAL RESONANCE”

"Archaeology" embodies the past. Its “cultural layer” registers the trajectory of human activities. the fragments of the "cultural layer" to piece together traces of a former civilization. When the artist revitalizes these subjects through artistic creation, they are no longer just symbols of decay. However, they are imaginative testimonies that transcend time, constructing their own universe.

Archeological Resonance, proposed by artists Chiang Kai Chun and Jazz Szu-Ying Chen, showcases their re-imagined prehistoric realm. Through researching Taiwan’s Neolithic period, artists capture the relics excavated by National Museum of Prehistory, such as jade objects, accessories, middens and bones, which serve as their inspirations. By integrating with their personal stories and visual languages, the two artists overlay contemporary arts with prehistoric relics, breaking the boundaries of history and conceiving an alternative dimension of "contemporary cultural layer."

Kai Chun Chiang uses mosaics themed around "Taiwanese jade" to compose a magnificent chapter melding the ancient and modern, while Jazz Szu-Ying Chen creates a surreal world of muse through her mysterious and silent paintings. In this moment, the distinctive artistic languages of the two artists are leading us through the barriers of time, resonating with ancient civilization.